![Man in turquoise clothes in front of turquoise car](/sites/default/files/styles/hero_image_flexible/public/2024-08/leica_twdw_jorg_schneider_3840x2560.jpg?h=eaac318f&itok=JWY5_UCT)
The Style
of the World
Deserves Witnesses
I've been taking photos since I was a teenager, starting with analog and black-and-white film.
Since then, photography has never let go of me and has always accompanied me, intensively, through my life. Over time, I have learned that I can only take strong photos if I photograph what truly inspires me. This passion led me to concert photography, but since the pandemic, street photography has taken centre stage.
When I'm taking photos, I can find rest within myself and detach completely from my surroundings. Photography, therefore, has a strong contemplative element for me. In my forays, I perceive not only superficial situations but also the things and stories behind them. Motifs and scenes jump out at me because I don't just see them; I consciously perceive them. I have developed a sense of pressing the shutter release at the right moment. Good timing is not only an important prerequisite for street photography but for all photography.
The Style of the World Deserves Witnesses
![Man in turquoise clothes in front of turquoise car](/sites/default/files/styles/large_desktop/public/2024-08/leica_twdw_jorg_schneider_1300x866.jpg?h=1528363c&itok=CCKOlcE6)
Every summer, classic car meetings are held several times at the regional airfield in Mönchengladbach, Germany. I took this photo at one such event. As I strolled among countless old cars, motorbikes, their owners, and visitors, this old Saab and its proud owner caught my eye. I immediately noticed that he had dressed in a colour that matched his vintage car. The other accessories inside the vehicle, and even in the boot, were all lovingly colour-coordinated. I could see right away that a harmonious scene was unfolding before my eyes. I just had to wait for the right moment.
That moment came when the owner leaned into the boot and tried to dig something out of the turquoise antique suitcase. All the elements of the photo came together at this moment: the car with its unusual paintwork, the owner dressed in matching colours, and the nostalgic suitcase. I couldn't help but take a step or two closer and press the shutter button on my Leica Q-P.
As I grew weary of lugging around bulky photographic gear, I sought a compact "always-on" camera as a secondary option. Having been drawn to Leica for some time, I opted to purchase a Q-P a few years back. My enthusiasm was such that I eventually sold all my other equipment to fully transition to the Leica Q3—a decision I've never regretted.
Given the nature of my photography, it's crucial to anticipate and react swiftly and discreetly. The Leica Q3, equipped with the outstanding Summilux-M 28 f/1.4 ASPH., is ideal for me. Beyond its excellent tactile feedback, it's quiet, unobtrusive, and offers freedom of movement. With the Leica Q3, I can seamlessly navigate streets unnoticed or capture intimate moments on stage and the vibrant atmosphere of the audience up close.
![Logo Leica Fotografie International](/sites/default/files/styles/medium_desktop/public/2024-08/thumbnail_lfi_log_for_wdw.jpg?itok=2WEM4Ubl)
LFI.Gallery – see, experience, share.
For over a century, Leica cameras have allowed people to tell their stories. The LFI.Gallery is a melting pot of all these active witnesses who see and experience rather than just observe.