“My approach has always been about bringing order to chaos.”

Eolo Perfido is an Italian street photographer who finds Tokyo the perfect stage for his way of seeing. The city is fast-moving and endlessly varied. In Eolo’s eyes, the street is a place of disorder that can be shaped into form. A single figure can bring balance to everything around it. His photography is a way of understanding humanity. He pays close attention to gestures, light and emotions, searching for the small moments that reveal something deeper about the human experience.

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Eolo often describes street photography as a kind of blood sample of a photographer. Put someone on the street with a camera and their instincts quickly reveal how they respond when nothing is fully under their control.

The street leaves little room to hide. Taste, timing, attention and failure all become visible. That is what makes the medium so honest. A good street photographer is not someone who never fails, but someone who fails a little less and learns to move with the flow.

What matters is not controlling the scene, but becoming part of it long enough to recognise when everything briefly falls into place.

Tokyo is a city where different worlds exist side by side. Contemporary architecture sits alongside older streets, while moments of intensity give way to unexpected calm.

What fascinates him is the contrast between collective rhythm and private solitude. Millions of people move in synchrony, yet each person seems wrapped in their own inner world. That emotional distance within such physical density gives the city its unique energy.

Tokyo is not only defined by its pace. It is shaped by the fragile human presence within it.

The Leica M has long been part of Eolo’s personal work, but the Leica M EV1 changes how far he can bring that system into his professional environment. What once felt better suited to personal projects can now be used with confidence in complex assignments, from portrait work to editorial and advertising sets.

With the M EV1, he sees the final image before it is made. Exposure, depth of field, light, and rendering become visible in real time through the built-in electronic viewfinder. For someone who works under pressure, that feedback creates certainty without taking away the character of the M system.

Focus peaking and instant magnification are especially important when working wide open or with longer lenses. Instead of simply focusing on a face, he can place sharp focus exactly where it matters — on the eye, even on the catchlight.