Leica Trinovid
„LIFE edition”
オラファー・エリアソン
人間と人間ではない存在の両方が暮らしやすい環境です。それは常に変化し続けているのです！そこで出会ったすべての人間と人間ではない存在が共生していくことで『Life』が形成されていくのです。『Life』は循環する環境であり、生きとし生けるものが昼夜を問わず快く迎え入れられます。『Life』は人間例外主義を表現したものではありません。むしろ私たち人間は、実際にはいわば“直立した哺乳類型雑草”のような存在で、環境に害を及ぼすことの方が多いのかもしれません。私たちの感性を植物化し、地球と共に歩んでいきましょう。
Since 1997, his wide-ranging solo shows have appeared in major museums around the globe. He represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The weather project, an enormous artificial sun shrouded by mist, in the Turbine Hall of Tate Modern, London, which was seen by more than two million people. In 2014, Contact was the opening exhibition of Fondation Louis Vuitton, Paris. Verklighetsmaskiner (Reality machines), at the Moderna Museet in Stockholm in 2015, became the museum’s most visited show by a living artist. In 2016, Eliasson created a series of interventions for the palace and gardens of Versailles and mounted two large-scale exhibitions: Nothingness is not nothing at all, at Long Museum, Shanghai, and The parliament of possibilities, at Leeum, Samsung Museum of Art, Seoul. Eliasson’s site-specific installation Reality projector opened at the Marciano Foundation, Los Angeles, in March 2018, the same month as The unspeakable openness of things, his solo exhibition at Red Brick Art Museum, Beijing. In 2019, In real life, a wide-ranging survey exhibition of Eliasson’s artistic practice over the past twenty-five years, opened at Tate Modern, in London, before travelling to Guggenheim Bilbao in 2020. Olafur Eliasson: Symbiotic seeing opened at Kunsthaus Zürich in January 2020, and Sometimes the river is the bridge was shown at the Museum of Contemporary Art Tokyo from April to September 2020. These were followed in 2021 by the exhibition Life at the Fondation Beyeler in Basel.
