The Palestinian photojournalist (born in 1997) has documented the war in Gaza in its full complexity and breadth in his series from 2025: from scarcity to starvation, from violence to loss – scenes that have made headlines internationally as well as interpersonal moments that did not make it into the news agency feeds.

In his black-and-white series of striking images, the New Zealand photographer (born in 1975) documents the archaic traditions of the eponymous sport, which is practised to this day in Tajikistan. Translated literally, buzkashi mean ‘goat pulling’ in Persian. The contest involves a struggle for a headless goat cadaver. The sport emerged among the nomadic horse-riding cultures of Central Asia. Strength and equestrian skill remain the defining hallmarks of the players involved.

The Aral Sea was once the world’s fourth largest lake. Today, however, the lake has shrunk by more than 90 per cent due to Soviet hydro projects. The Armenian photographer (born in 1983) not only documents the environmental crisis in this series but also shows how Uzbek and Kazakh communities have adapted in order to survive: they breed camels, harvest brine shrimp, practise beekeeping and fish the North Aral Sea, which has come back to life since the Dike Kokaral dam was built.

The Russian photographer (born in 1986) draws our attention to the nature and way of life in the mountains of Dagestan in the North Caucasus of southern Russia. Faizulin illustrates the threats to the delicate balance between the inhabitants and nature in his images. He documents current developments and the emerging tourism industry, modern architecture and the neglect of established structures and culture, while at the same time celebrating the region’s beauty.

The French photographer (born in 1996) offers us a glimpse of today’s France, in particular calling our attention to the youth of the banlieues. At the city limits, this milieu is characterised by social violence, the impact of economic crises and housing policy from the 1960s and 70s. But it is also a focal point for creativity and political innovation. Keo portrays an evolving post-colonial France where the country’s social, cultural and political future are at stake.

The Nizhnekolymsky district of the Yakutia region high in the Arctic is defined by distances – geographic, temporal and infrastructural. The communities in Russia’s extreme northeast “are part of a fragile system, which is connected by people, memories and the struggle for survival”, the Russian photographer (born in 1989) explains. In his series, Lyu-fa shows us various places where people, from fishers to field researchers, are affected by climate and economical changes.

The Russian photographer (born in 1973) puts the people of the Ukrainian port and industrial city of Mariupol at the centre of his series. After the Russian invasion of Ukraine and the siege of Mariupol at the end of February 2022, fierce battles followed, which led to heavy casualties among the civilian population. Melnikov’s continuing documentary project concentrates on the unbearable humanitarian consequences of the war for the residents remaining in the city.

In his series, the Czech photographer (born in 1982) presents his personal perspective on the Egyptian capital and the radical changes it faces. His goal: capturing everyday life in its purest form. “I wanted to document the last generation to live in this raw and uncouth reality”, says Renč. “Today, among the dust and rubble, I wanted to preserve an atmosphere that will soon disappear when Cairo changes beyond recognition.”

Water is not something that can be taken for granted in the Navajo Nation – the largest Native American reservation in the United States. The Taiwanese–American photographer (born in 1990) examines the history of water supply shaped by the division between settlers and Indigenous peoples – at a time when the American Southwest is suffering its worst drought. Per person, the municipalities of Utah’s affluent Washington County consume an excessive amount of water, while the Navajo communities lack the water they need in their everyday lives.

In Jordan, water is more than a physical resource, it is also a memory – embodied in stone, earth and song. The Palestinian–Jordanian photographer (born in 1969) says: “What began as curiosity about a resource turned into a deep dive into my own history and my heritage, a search for roots in a country shaped by centuries of change and hardship. This is not only a study of water; it is also a story about people.”

The photographer born in Czechoslovakia in 1976, and now living in the UK and Ireland, made the Slovakian upland village of Šumiac his second home almost two decades ago. Since then, Sládek has been documenting the life, daily routines and traditions of the village’s inhabitants. The photographer sees his black-and-white series as a means to build a bridge between two groups who are separated by more than a stream: the local inhabitants and the Roma who live there as well but are severely ostracised.

The American photographer (born in 2001) is inspired by her longing for memories of her ancestors, which is reflected in her series examining contemporary queer kinship structures and the continuing legacy of strong, self-confident Black women. The focal point of her work is the way of life created by the photographer’s two sisters and four nieces, who moved from Queens, New York, to a shared house on a plot in Clayton, North Carolina.

Starting this year, the Leica Oskar Barnack Award will not only include the awards for the Main and Newcomer categories but will also feature the LOBA Women Grant as an additional distinction. Unlike the existing categories, this new grant will be awarded for a project concept, which will be showcased for the first time at the LOBA taking place the following year.

The jury has selected one winner from among the many applicants for the LOBA Women Grant and is supporting her in continuing her project. The name of the first winner of the LOBA Women Grant will be announced at the Celebration of Photography on the evening of the LOBA ceremony.