Videography
Few photographers today work without ever using a camera's video function. Whether for reportage, sports or wedding photography, moving sequences have become par for the course; and this was the case even before Social Media started assailing us with their daily reels. Moving images underline the authenticity of a situation. They are able to tell a completely different story than photos can. They define the narrative more clearly, direct the eye and usually leave less room for interpretation. With a photo, the film unfolds more in the mind of the viewer; with a film or video, it unfolds on the viewer's screen.
The Leica SL3 and SL2-S system cameras, as well as the compact Q3, have professional video among the features available. In addition to the options of taking stills and making videos in high resolution and with fast sequences, they offer modern codecs – from the highly efficient H.265 all the way to Apple's ProRes – and various colour spaces with dedicated Look Up Tables (LUT). Connections for external microphones andmonitor recorders are, of course available. Cameras like the SL3 offer fullsize HDMI- and CFexpress interfaces to fullfill professional needs. Also, these cameras integrate seamlessly into typical video ecosystems. All cameras offer a user interface, that is customisable to individual needs and strictly divided into photo- and video functions to ensure a fluid workflow on set.
Let the film roll! The common thread of storytelling with moving and emotional images.
Photographers who just want to create a quick clip of moving images, to capture a brief moment, can do so very easily by using the video shutter release on their camera. If, on the other hand, you set out specifically to film, you have all the freedom to select the desired settings manually via a separate camera menu, which is colour-coded to contrast with the photo menu. In this case, you should use the maximum possible resolution of C4K for the SL2-S (4096 x 2160 pixels in an aspect ratio of 17:9), and C8K for the SL3 and Q3 (8192 x 4320 pixels in an aspect ratio of 17:9, or 7680 x 4320 pixels at 16:9); even if the final outcome is “only” going to be viewed in full HD resolution (1920 x 1080 pixels). The reserve keeps open the option of generating different camera positions, pans or movements during editing.
Compared to photo reportage, videographers pay more attention to connections and filling images. While filming, it is important to keep the thread of the story in mind, and to make sure that any movements match the subsequent image. The motifs where nothing is happening are also important, as these filler images give the viewer the opportunity to process the action they have seen.
Together with the Atomos Academy and Leica Camera, Levin created an intimate portrait about the work of his good friend and artist, Chrisanne Blennerhassett.
Together with the Atomos Academy and Leica Camera, Levin created an intimate portrait about the work of his good friend and artist, Chrisanne Blennerhassett.
Let our videos inspire you
Wang Yi'En - Videography with the Leica SL3
Leica SL3 - BTS ...and action
Leica SL3 - BTS Sparks
Leica SL3 - BTS Splash Water
Leica SL3 - BTS Drone mount
Leica SL3 - BTS Dust
Leica SL3 - BTS steady cam
