“Selections” by Alex Webb
31 Oct 2026 – 6 Feb 2027
AWebb

Poetry, Tension and Everyday Life 

Alex Webb (born in 1952 in San Francisco, California) is one of the leading figures in contemporary street photography. He is particularly renowned for his complex, multi-layered compositions, deeply defined by colour and striking contrasts. 

His interest in photography began during his school years. He later studied History and Literature at Harvard University while also studying photography at the Carpenter Center for the Arts. In 1974, he began his professional career as a photojournalist and took his first steps at Magnum Photos, becoming an associate member in 1976 and a full member of the agency in 1979. 

During the early years of his career, in the 1970s, Webb photographed everyday life in small towns across the American South in black and white. It was, however, his travels through the Caribbean and Mexico that profoundly transformed his vision and led him towards colour photography. This choice would become one of the most distinctive features of his work. 

In his photographs, reality never seems to reveal itself immediately. Webb constructs dense, almost pictorial scenes in which multiple events, figures, planes and gestures coexist within the same space, intersecting in carefully articulated compositions. Through intense light, colour and the precision with which he captures fleeting moments, Webb transforms everyday life and the social tensions of the places he encounters into images that are poetic, unexpected and surprising.

Alex WebbThroughout his career, Alex Webb has received some of the most important international distinctions, including fellowships from the National Endowment for the Arts and the Guggenheim Foundation, as well as the Leica Medal of Excellence and other prestigious awards.

His work has been exhibited at institutions around the world, including the Metropolitan Museum of Art and the Whitney Museum of American Art in New York, the Museum of Fine Arts in Boston, and numerous other leading museums and institutions across Europe and the United States. 

For Webb, photographing the street is, above all, a way of being present in a place while remaining open to what cannot be anticipated. As the photographer himself explains: 

“I only know how to approach a place by walking. For what does a street photographer do but walk and watch and wait and talk, and then watch and wait some more, trying to remain confident that the unexpected, the unknown, or the secret heart of the known awaits just around the corner?”

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